Dear Trumpet Player,

You sure that’s the right note?

Ah, The Trumpet.

Unlike the piano – which plays exactly the key you hit (and no other) – the trumpet relies on you to produce a sound. This would all be well and good except for one unfortunate fact: the trumpet designed to play seven (yes seven) different notes within two octaves all with the same fingering.

So, my question to you is this: Are you sure you’re playing the right one?

Learning This Makes Trumpet Playing Easy

Because of the way the trumpet works, you need to know what each note is supposed to sound like before you play it. Otherwise, the instrument will just more or less amplify whatever pitch is created in your body. Not only does this have the potential of sounding very, very bad it also makes it difficult to develop any kind of playing consistency.

That’s also why it’s so much easier to play a decent note after getting a reference pitch or while playing with other musicians. The musical context clues you in to how your part is supposed to sound. However, relying on these musical clues is a crutch – and one that holds back your development as a trumpet player. It is not until you can stand alone in that musical awareness that the nagging question of whether you’re about to play the right note or not fades away.

Therefore, a huge part of being a confident and consistent trumpet player is establishing the ability to look at a piece of music and ‘hear’ it in your imagination, as well as knowing what the first note out of your bell is going to sound when you pick up the horn to play. When you can do this, the trumpet part of the equation becomes a much smaller deal.

Now, depending on where you’re at in your musical journey, this might sound downright impossible. However, it not only is possible, but you, too, can wield that awesome power …

And it’s easier than you think.

Your Twelve Keys to the Musical Kingdom

When it comes to internalizing the fundamentals of music, the good news is that there isn’t a whole lot to learn – and at its core, music is remarkably simple. For example, Western music uses only twelve different notes in the chromatic scale. This also means that from any of those given notes there are only twelve possible distances between one note and the next. These distances between notes are called intervals, and each has its own unique and predictable sound.

That means that when you listen to a melody, it’s not the individual notes that give a tune its characcter, but raher it’s the distances between those notes that makes a song sound the way it sounds. Everything from the simplest folk songs to the most extraordinary melodies ever composed where all written using the same twelve intervals. And when you’re familiar with those sounds (along with the possible note combinations that create them) you are able to think, read, and write music without an instrument.

So, all you need is a reliable method for learning just that.

‘Ear-Training for Trumpeters’ is a step-by step, self-paced and proven method for learning to …

  • instantly identify any musical interval by sound and sight 
  • read music like you’re reading the paper (silently, inside your head)
  • write out melodies you hear without an instrument
  • understand what you’re hearing in real time
By the time you’re done with the course, you will have established these skills for life, and they’ll always be there for you operating in the background.
 

Enroll now for free and unlimited access to BTB’s Online Trade School for 14 days. After that, continuing with the lessons is only $49/month for full access to all of the Online Trade School curriculums. Cancel anytime.

  • Sequential Lessons: Work through the 200+ lessons, one at a time, until you’re done (no more information overload)
  • Full Access: Tuition includes unlimited access to Trumpet Foundations, The Ultimate Comeback Kit, Ear-Training for Trumpeters, and Trumpet Departmental
  • Affordable Tuition: Private lessons can cost anywhere from $50-$150/hr ($200-$600/month for weekly sessions). You get unlimited access to the Online Trade School courses for just $49/month
  • Risk-Free Trial: Start exploring the Online Trade School lessons with a free 14-day trial. Not your cup of tea? Cancel within those 14 days and you aren’t charged a dime
  • No-B.S. Billing: Easily manage your subscription status and billing information from your online dashboard

A Path to Overcoming Musical Insecurity

Before diving into the nitty-gritty of how to train your ears, I want to share that the reason I am so passionate about encouraging you to gain the practical benefits of ear-training is because learning these sounds completely and permanently transformed my experience as a trumpet player and musician.

Prior to dedicating myself to learning the fundamentals of relative pitch, I always felt that something was missing. Like, I was disconnected from the music as compared to my seemingly more-talented peers and basically getting lucky as a player. This left me feeling painfully insecure as a sight-reader as I was often unsure of what the notes on the page were supposed to sound like.

However, once I knew how the song sounded, my confidence was restored. But unfortunately, that didn’t help much on the first few go-rounds. And believe you me, I got more than my fair share of funny looks from composers and directors over the years. (‘I thought this guy could play?’) Finally fed up with my shortcomings as a player, I set out to explore that aspect of musical training that I had avoided so long for fear of failure: ear-training.

Not really knowing what to do (or whether it would work), I dusted off a set of relative pitch ear-training tapes that I had laying around and started with track one. I worked through the lessons just about every day and I’ll be real with you – it was tough going, especially in the beginning. Most of the time I didn’t feel like I was getting any better. And even as i passed each lesson, it never really felt like I was ‘getting it.

Why Most Ear-Training Efforts Fail

Over time, what I came to learn is that this initial ear-training experience is common and necessary. In my case, the transformative effects of all that ear-training came in a single ‘beautiful mind’ kind of moment some months later. I was sitting in a production pit for ‘The Secret Garden’ when suddenly, seemingly out of nowhere, I knew what everyone in the orchestra was playing around me. Just like that, all at once.

Without a blind dogged determination, a lack of understanding this process is why most ear-training efforts fail. And adults, in particular, struggle to establish the freedom that a well-trained ear grants – not because it’s difficult (it’s not), but rather because you must be willing sit with the ‘not knowing’ long enough for the ear to work itself out. Craving instant results (and thinking they can intellectualize their way to the finish line), most give up before the information has had enough time to sink in.

This lack of bite-sized, long-term advancement is also where most methodologies fall short. Either there is no guidance through the days and weeks of ‘not getting it,’ or the curriculum moves through the sounds too quickly, overwhelming the ear. Incidentally, this is why many collegiate graduates finish their studies without an established sense of relative pitch. (Following the syllabus in a class setting does not allow the individual enough time to thoroughly absorb each sound before moving on.)

Instead, the best way to train your ear is to take one sound and learn it thoroughly at your own pace. Then, as that sound becomes familiar, you add the next, continuing until you’ve got a full set.

The Ear-Training for Trumpeters Method

The goal of Ear-Training for Trumpeters is for you to learn the musical intervals so thoroughly that you come to know them as a feeling. That way, this awareness is operating for you on a very deep level and will actually make a difference to your in-the-moment trumpet playing. 

The crux of learning the intervals so deeply is repetitive listening. That’s really all there is to it. The object is to begin to recoqnize the sounds as easily as knowing your best friend’s voice on the telephone. And in just the same way that you learn the sound of your best friend’s voice by hanging out with them, you learn to recognize each of the musical intervals by spending time with those sounds.

Ear-Training for Trumpeters introduces you to each interval by learning to ‘spell’ and memorize all of the available note combinations that create that sound when played simultaneously or back-to-back. Then, you practice the sound of the interval using the course outlined study techniques until it is familiar to you. As you study, quizzes and tests are included each and every step of the way so there’s no question as to when it’s time to move on.

Once you have the first two intervals under your belt, you move into the practice of learning to identify the intervals quickly through a series of 84+ rapid-fire, mixed-interval identification drills. As the first two intervals become well-known, you add another, gradually increasing the number of intervals contained in each drill. This trains the ear to identify each unique interval regardless of musical context and as its own unique musical character. 

The study of speed recognition is what sets you apart and permanently transforms your musical awareness. The speed of the drills leave no time to think. And because of this, your mind learns to recognize these musical patterns without needing to. In other words, you learn the intervals ‘cold.’ Then, as these sounds move deeper into the mind, you’ll discover every aspect of your musicianship leveling up.  

You, Too, Can Have Incredible Ears

The incredible benefits of ear-training are not reserved for the talented few. All it takes to learn these skills are ears, the ability to follow a normal conversation, and about 15 minutes a day until the training sinks in.

Additionally, the lessons of Ear-Training for Trumpeters have been written so that even someone with no prior musical training can move through the lessons and learn to understand music in this way. The only difference your current level of proficiency makes is in the time it takes to complete the course. By the end, you’ll have built up a complete musical awareness of each interval from the ground up and gained all the practical benefits.

  • Easier to remember melodies
  • Hear the music you’re seeing on the page – and then ‘sing it’ through your trumpet
  • Read music silently in your head (like you’re reading the paper)
  • The confidence to nail the notes ‘cold’ (without test notes)
  • Learn new music on the fly by sight or sound
  • Hear a melody and play it back instantly
  • Improved musical concentration
  • Quickly transpose melodies to different keys
  • Write out a melody you hear without an instrument
  • Learn songs in your head – just by listening
  • Never wonder if you’re playing the right note again
  • Focus on playing musically, rather than worrying about whether or not you’re going to hit the right note
  • Listen to music and have everything seem crystal clear (it’s like getting glasses for the first time)

Ear-Training for Trumpeters Course Format

Your ear-training lessons can be accessed on any device with an internet connection. Plus, the speed-recognition drills are downloadable so you can take your ear-training with you on the go.

Here’s how the lessons look on the computer and iPhone, respectively:

(Course contents and distraction-free learning view on iPhone)

Start Your Training Your Ears Risk Free

Enroll in BTB’s Online Trade School now for free and unlimited access for 14 days. After that, it’s just $49/month to continue.

  • Ear-Training for Trumpeters
  • Trumpet Foundations
  • The Ultimate Comeback Kit
  • Trumpet Departmental
  • Free for 14 days, $49/month after your free trial, cancel anytime 

The best time to start training your ears is right now. The results are something akin to miracle making and they’re yours for the taking. Enroll now to begin your ear-training journey risk-free for fourteen days. You’ll not only learn the intervals, but in the process become a musician. 

USE THE ONE FROM ABOVE

Course Content

Section I: Welcome to Ear-Training for Trumpeters \ Music Theory Need-to-Know
Section II: Study Techniques and Testing Procedures
Section III: Perfect Fifth Testing \ Perfect Fourth Introduction
Section IV: Perfect Fourth Testing \ Major Third Introduction
Section V: Major Third Testing \ Speed Recognition Drills \ Minor Third Introduction
Section VI: Minor Third Testing \ Speed Recognition Melodic and Harmonic Perfect Intervals
Section VII: Listening Drills and Interval Consolidation
Section VIII: Perfect Intervals & Thirds Final Exams
Section IX: Motivation For When You Get Stuck
Section X: Welcome to Part II \ Intro to 'Perfect Pitch' \ Major Second Introduction
Section XI: Major Second Testing \ Speed Recognition P4, P5, P8, M3, m3, M2 \ Minor Second Introduction
Section XII: Minor Second Testing \ Speed Recognition Seconds & All Intervals Mixed \ Major Sixth Introduction
Section XIII: Major Sixth Testing \ Speed Recognition P4, P5, P8, M3, m3, M2, M6 \ Minor Sixth Introduction
Section XIV Minor Sixth Testing \ Speed Recognition Mixed Sixths \ Study Reminders
Section XV: Interval Consolidation and Exam Prep
Section XVI: Perfect Intervals, Thirds, Seconds & Sixths Final Exams \ Minor Seventh Introduction
Section XVII: Minor Seventh Testing \ Speed Recognition P4, P5, P8, M3, m3, M2, m2, m6, M6, m7 \ Major Seventh Introduction
Section XVIII: Major Seventh Testing \ Speed Recognition P4, P5, P8, M3, m3, M2, m2, M6, m7, M7 \ Augmented Fourth Introduction
Section XIX: Augmented Fourth Testing \ Listening Drills \ Introduction to Compound Intervals
Section XX: Major Ninth Testing \ Listening Drills
Section XXI: Minor Ninth Testing \ Listening Drills
Section XXII: How to Take Music Out of Your Head (And Put It On Paper) & Vice Versa!
Section XXIII: Interval Crystallization & Final Testing
Section XXIV: Ear-Training for Trumpeters FINAL EXAM!